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Post by The Wirefox on Nov 11, 2011 17:27:33 GMT
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Post by Barry on Nov 11, 2011 18:15:55 GMT
I do like your third image, I just like the detail where the forks interlock with each other and the soft muted reflection.
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Post by jiro on Nov 11, 2011 18:26:58 GMT
Very interesting, Steve. Instead of going totally B&W, you managed to keep the color as an additional element on the shots. I also like #3 as the composition looks more engaging and open to a lot of interpretation compared with the other 3. So, what's the story behind the two forks interlocked like that on #3? Were you inspired by the spooning shots of Rob? ;D
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Post by katynoelle on Nov 11, 2011 23:50:01 GMT
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Post by Kit on Nov 12, 2011 3:37:32 GMT
Interesting rotations you have given them. It wakes up the eye to see the unexpected. That first one puts me in mind of those yearning parting lover images, where one of them holds their hand up to the window of the one going away on the train.....Never though forks could be so romantic, but that is part of your particular skill in that you send our minds to places they haven't been before. Bravo, mate.
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sahil
Senior Member
Posts: 142
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Post by sahil on Nov 12, 2011 7:21:54 GMT
Wow! Interesting play with forks. Even I gotta try them now. One thing I find very difficult while taking still life shots is, taking care of the dust and scratches. They ruin the whole set-up.
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Post by robmarshall on Nov 12, 2011 16:51:18 GMT
White man speak with forked tongue... and white man obsessed with fork sex too much. White man need 'get life'. Running Fork has spoken.
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Post by The Wirefox on Nov 12, 2011 17:27:13 GMT
I was going to do scissors...
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